Lo que no vuelve

In an exhausted Buenos Aires in the midst of spring, Hernán reconnects with Milagros, who has returned from Madrid after emigrating as a child due to the 2001 crisis. From this reunion—comprising walks through the city center, lost drawings, and long-postponed conversations—the narrative builds an intimacy that delves not only into exile, diaspora, and the ravages of time, but also into mourning for what is no longer there.